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Straightforward and simple, Vintage Amp Room emulates three great guitar amps in a complete studio set-up with speaker cabinets and fully flexible microphone positioning. It’s easy to use for live performances and recordings, as well as for re-amping and last-minute tweaking.

Amp Room has none of the added gadgets or weird-sounding presets sometimes found in simulation software. Focusing on quality and accuracy, it simulates three amps, with sounds that are timeless and authentically raw. The goal is not to give you a pre-produced, ultimate guitar sound, but to provide you with the ultimate tool to create your own. Because after all, only you know exactly what sound you want.

"The tones here are among the best modelled amp sounds we've heard, with loads of tonal detail in the crucial midrange and a crisp high-end chime"

Sound Test Result: 5/5
Trevor Curwen, Guitarist (Jan 2008)

 

Features

  • Three great-sounding vintage amp models that handle like real amps
  • Raw & authentic sound
  • Flexible & continuous click-and-drag mic positioning
  • Fully automatable parameters
  • 3-D rendered photo-realistic user interface
  • Compatible with all effects that work with real amps

 

Platforms

 

 

White is based on an all-round great amp that set the industry standard for classic, distorted rock n’ roll sounds. The genius is its simplicity. It's stripped down to the bare essentials – all tubes, only one channel, and no reverb or any other built-in effects.

Sound-wise, it goes from mad screaming preamp shred, to warm, speakers-about-to-break power amp distortion. Perfect when you need a characteristically distorted edge and a powerful roar.

 

Amp Room Brown is based on one of the most versatile amplifiers in music history. It’s been used in all kinds of genres, and for all kinds of instruments, thanks to a sound that is clean, crisp and clear, but also warm, thick and punchy.

Brown can produce anything from the clearest country-style sound for steel guitars to a dirty, bluesy guitar noise. It works for both funky rhythms and bassy, mellow chords. It's got a notoriously warm sound with a massive bass and a shimmering treble. Versatility embodied, it can do more or less whatever you want it to.

 

Green is packed with character and produces a pleasant guitar sound with warm yet intense power amp distortion. Its edginess makes it shine through in mixes, without drowning out other instruments.

Green is based on a very adaptable three-channel amp model. All three channels sound fantastic, but if you want to add a little quirkiness, we especially recommend the vibrato/tremolo one. The original amp has been widely used during the last forty years, from classic pop recordings in the 60’s, through to today’s users, playing mostly independent and alternative rock.

 

MÄRVEL -
"A Pyrrhic Victory" (Softube Edition)

Märvel - A Pyrrhic Victory (Softube Edition)

Written by John Steen. Recorded by Joakim Svensson at White Light Studio, Sweden.
(c) & (p) Killer Cobra Records & MÄRVEL 2009
www.myspace.com/marveltheband
www.marvel.nu
www.killercobrarecords.com

"I used the brown and white amps. [...] Sounds f**ing great!"

Joakim Svensson,
White Light Studio

Vintage Amp Room - Brown

Nothing more than Vintage Amp Room and a guitar

These sound examples have been recorded using two different guitars, a '62 strat and a Peavey EVH Wolfgang. We have used no other effects than a single instance of Vintage Amp Room running at 96 kHz in Pro Tools 7.3 unless nothing else is stated.

"Convincing 'real amp in a studio' sound"

Paul White, Sound On Sound (Nov 2007)

Blues - a dirty old school blues sound.

Overdrive - heavy overdriven blues sound.

Country - some country licks, using the same sound as the first blues example.

Clean - clean and crisp.

The name of each sound file corresponds to the name of a preset file that is included in the installation of Vintage Amp Room.

Vintage Amp Room - Green

Nothing more than Vintage Amp Room and a guitar

Rock 1 - a classic rock sound.

Rock 2 - quite similar to Rock 1, but still very different.

Mellow Vibrato - this is why this amp is amazing.

Overdrive - edgy and raw overdrive.

The name of each sound file corresponds to the name of a preset file that is included in the installation of Vintage Amp Room.

The sound examples have been recorded using three different guitars, a '62 strat (what a beauty that is!), a Peavey EVH Wolfgang and a Godin Solidac. We have used no other effects than a single instance of Vintage Amp Room running at 96 kHz in Pro Tools 7.3.

"[...] the starting sound and tone produced by either Vintage [Amp Room] or Metal [Amp Room] are some of best I've heard."

Barry Rudolph, contributing editor for MIX Magazine and "New Toys" columnist for L.A.'s Music Connection Magazine.

Vintage Amp Room - White

Nothing more than Vintage Amp Room and a guitar

Jimi - a sound that reminds us of the good old days.

Crunch Ambiance - almost the same sound as the previous file, but with a little bit more ambiance.

Power Amp Overdrive - that classic 70's power amp overdrive.

Preamp Overdrive - finally, the classic 80's preamp overdrive.

The name of each sound file corresponds to the name of a preset file that is included in the installation of Vintage Amp Room.

The sound examples have been recorded using three different guitars, a '62 strat, a Peavey EVH Wolfgang and a Godin Solidac. We have used no other effects than a single instance of Vintage Amp Room running at 96 kHz in Pro Tools 7.3.

"Vintage Amp Room is one of the most accurate amp emulations we've come across and certainly sets the benchmark for quality over quantity."

Mike Hillier, Music Tech Magazine (Nov 2007)

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