Dark, aggressive, thrilling and threatening — DAMAGE is breathtaking cinematic percussion with a tense, epic edge. Created by Heavyocity, DAMAGE is a unique instrument combining orchestral percussion, incredible sampled sounds and edgy electronics.

Designed to inspire, DAMAGE delivers jaw-dropping quality in an intuitive and easy-to-use interface. Create dramatic, wide-screen tension with the devastating impact of DAMAGE.

DAMAGE runs in the freeKONTAKT 5 PLAYERorKONTAKT 5.

DAMAGE gives you 30 GB of drama, fusing industrial sounds and orchestral drums into a devastating electro-acoustic barrage. Percussive Kits provide more than 200 deeply sampled percussion sources, and over 500 single-shot elements, recorded in up to seven velocity layers and with up to nine round-robins per drum. 

Over 700 beat-sliced loops come as menu-style loop suites or as single loops for detailed tweaking. Even the most complex sounds are instantly usable, and it's all in hair-raising, big-screen quality. 

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DAMAGE integrates seamlessly with your DAW, with a compelling workflow to hotwire your creativity. The spectacular user interface was specifically designed with the composer and sound designer in mind. Tempo sync is automatic, and exporting a loop's MIDI data to your sequencer is simply drag-and-drop.

Get results fast with integrated keyswitches for playing effects and remixing loops on the fly, and create instant trailers with the unique 'Damage Hits'. Then dial up the 'Punish' knob to pile on the pressure.

Heavyocity is Dave Fraser, Neil Goldberg, and Ari Winters — experienced composers and sound designers from the forefront of commercial music production. Their approach is simple: design cutting edge, inspiring instruments and sounds that supercharge creativity. Heavyocity spent nearly two years creating DAMAGE – fortunately, no one was injured.

Read the story behind the DAMAGE.

“Heavyocity has created another amazing product with Damage, it's scary good."
James Newton Howard 

"Top notch sounds and the smart & creative programming tools needed to manipulate them."
Harry Gregson-Williams

"Damage is not just a preset factory though, there are so many ways to mold or mangle the sounds into a shape that works."
Damian Taylor

"It's the cinematic width and sound that makes it very different to anything else out there."
Liam H (The Prodigy)