POD Farm 2 - Overview
POD Farm Producer Series with Allison Robertson and Jay Ruston - Pt. 1 of 2
POD Farm Producer Series with Allison Robertson and Jay Ruston - Pt. 2 of 2
POD Farm 2 - Overview
POD Farm Producer Series with Allison Robertson and Jay Ruston - Pt. 1 of 2
POD Farm Producer Series with Allison Robertson and Jay Ruston - Pt. 2 of 2
Straightforward and simple, Vintage Amp Room emulates three great guitar amps in a complete studio set-up with speaker cabinets and fully flexible microphone positioning. It’s easy to use for live performances and recordings, as well as for re-amping and last-minute tweaking. Amp Room has none of the added gadgets or weird-sounding presets sometimes found in simulation software. Focusing on quality and accuracy, it simulates three amps, with sounds that are timeless and authentically raw. The goal is not to give you a pre-produced, ultimate guitar sound, but to provide you with the ultimate tool to create your own. Because after all, only you know exactly what sound you want. |
Sound Test Result: 5/5 |
Bass Amp Room was designed to handle all your bass amp needs, from dirty rock to modern clean, keeping two equally important goals in mind. The first was to give the user the best possible sound quality. The latter was to create an intuitive plug-in which allows for a really fast work flow. Time is money, but cutting down on time shouldn't mean you have to accept poor results.
Bass Amp Room consists of a model of a classic bass amplifier, three distinctive speaker cabinets with click-and-drag mics, and a blendable DI section with tone controls and a limiter. That's it. And it's all you need to create a unique signature sound - the strength lies in the ease of use of the individual blocks and the huge range of sounds these can produce when combined.
In short, Bass Amp Room is all about getting a sound you know you can trust, and getting it quickly, from a plug-in you don't need a degree in computer science to handle.
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Authenic Amp Modeling |
Tony Franklins Interview
Tony Franklin is the 'Fretless Monster.' His bass playing is all about chops, tone, and taste, in proportions that sum to the kind of sound that people like Jimmy Page and bands like Whitesnake have used to full effect. Tony Franklin: Not Just Another Pretty Bass is a double-disc, 24-bit collection of hundreds of bass loops that comprise fifteen unique song structure themes, all performed by Tony on his customized Fender® Fretless Precision Bass®, the same instrument he used with Page in The Firm, onstage in Whitesnake, and in countless other sonic exploits.
In Tony's able hands, this instrument gives up the sound and the vibe that makes the P Bass® what it is: the ideal, essential, and inimitable sound of rock ?yesterday, today, and tomorrow. The fretless aspect of Tony's style makes his playing unique in the world of hard rock celebrities, and the slippery lines of round wound steel on smooth ebony contain the curves of the distinctive Franklin signature. Each of the fifteen flexible electric bass themes contained in this collection offer up all the elements of great rock tracks, from foundation to flash to finish. Enjoy this gritty (and sometimes pretty) collection in ACID® software, and every other hardware and software platform that supports the .wav file format. |
Features Overview - 17:05
Trilian Features Overview Demo from Spectrasonics on Vimeo.
Electric Demo - 20:37
Scarbee Red Bass Demos
Real Guitar也可以這樣玩啊?我看傻了...
Scarbee Black Bass Demo Song 1 - Video
By Thomas Hansen Skarbye
Keyboard: Sevan G闥oglu, playing Scarbee CEP and FEP
Bass, drums and synths: Thomas Hansen Skarbye.